A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Evaporating Borders

The Njegos Foundation for Serbian Language and Culture presents EVAPORATING BORDERS a film by Iva Radivojević.

Friday, September 25, 2015, 6:00pm, Marshall D. Shulman Seminar Room (1219 IAB, 420 West 118th St.)

Originally from Yugoslavia, a country that no longer exists except in books and films, Iva Radivojević’s family immigrated to Cyprus to escape political unrest. Raised in Cyprus, she is approaching the film as a personal exploration of what it means to have a hybrid existence in which one is always searching for an identity.

The title “Evaporating Borders” corresponds to the idea that the erosion of boundaries and borders (both physical and metaphoric) defamiliarize the narratives of selfhood through which identities take shape and reproduce themselves. The flow of populations, commodities and information is associated with loss of traditions, memories and histories. This poses a threat to national identity and translates to discrimination, prejudice, and intolerance. What is apparent in Cyprus is emblematic of hierarchical racial structures around the world, looking to cultures and peoples outside Western borders from a position of superiority.

While the film examines what it means to disassociate from these beliefs, it also explores the principles of inequality precipitated by certain cultures over others, classes against other classes, the concept of motherland, and an essentialized conception of identity. Though the film is told from the director’s personal experience and point-of-view, it is less about her own story than an exploration of the mentioned themes.

The director of the film will join us for the Q&A section.

This event is co-sponsored by the Program of Hellenic Studies at Columbia.


SA

 

People Directory

Sava Vemić

Sava Vemić (born 1987), bass, comes from Belgrade, Serbia. He is a member of The Metropolitan Opera’s Lindemann Young Artist Development Program in the season 2014/2015.

He studied singing in the Music School Mokranjac with prof. Tanja Obrenović and later at the Faculty of Music, University of Arts in Belgrade with prof. Nikola Mijailović. In Mozart’s Magic flute he made his debut as Sarastro at the opera stage of Madlenianum Opera & Theatre in Belgrade. He received scholarships from the International Vocal Arts Institute (IVAI) in 2013 when he sang Bartolo in an IVAI production of Le nozze di Figaro and in July 2014 when he sang Osmin in their production of Die Entführung aus dem Serial in Tel Aviv, Israel. In June 2014 he made his Carnegie Hall debut as Sir Walter Raleigh in Donizetti’s opera Roberto Devereux with The Opera Orchestra of New York led by Mo. Queler. In 2012 he performed at the Esterhazy festival in Haydnsaal, Austria.

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Publishing

On Divine Philanthropy

From Plato to John Chrysostom

by Bishop Danilo Krstic

This book describes the use of the notion of divine philanthropy from its first appearance in Aeschylos and Plato to the highly polyvalent use of it by John Chrysostom. Each page is marked by meticulous scholarship and great insight, lucidity of thought and expression. Bishop Danilo’s principal methodology in examining Chrysostom is a philological analysis of his works in order to grasp all the semantic shades of the concept of philanthropia throughout his vast literary output. The author overviews the observable development of the concept of philanthropia in a research that encompasses nearly seven centuries of literary sources. Peculiar theological connotations are studied in the uses of divine philanthropia both in the classical development from Aeschylos via Plutarch down to Libanius, Themistius of Byzantium and the Emperor Julian, as well as in the biblical development, especially from Philo and the New Testament through Origen and the Cappadocians to Chrysostom.

With this book, the author invites us to re-read Chrysostom’s golden pages on the ineffable philanthropy of God. "There is a modern ring in Chrysostom’s attempt to prove that we are loved—no matter who and where we are—and even infinitely loved, since our Friend and Lover is the infinite Triune God."

The victory of Chrysostom’s use of philanthropia meant the affirmation of ecclesial culture even at the level of Graeco-Roman culture. May we witness the same reality today in the modern techno-scientific world in which we live.