A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

North American Society for Serbian Studies

The North American Society for Serbian Studies (NASSS) is an organizational member of the Association for Slavic, East European, and Eurasian Studies (ASEEES), formerly American Association for the Advancement of Slavic Studies (AAASS). It is dedicated to promoting and enhancing knowledge of Serbian culture and society throughout North America, including the American and Canadian academic community, as well as the Serbian diaspora at large. The goal of the organization is to foster and support scholarly interests and research in disciplines such as language, literature, art, music, history, anthropology, sociology and political science. NASSS membership is open to all, scholars and supporters, who share these interests and goals.

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The North American Society for Serbian Studies (NASSS) was founded in 1978 as a non-profit, scholarly organization. Its main objective is to promote research and advance knowledge of Serbian Studies and to increase public awareness and understanding of Serbia, its culture and people. The society reaches its constituents through publication of the journal Serbian Studies, organization of meetings, sponsorship of public events, and participation in conferences, such as the annual convention of the Association for Slavic, East European and Eureasian Studies (ASEEES). NASSS works closely with universities and cultural institutions in Serbia in order to facilitate sharing of scholarly information and exchange opportunities for scholars and students. The society also seeks to collaborate closely with scholars from around the world whose research focuses on Serbian studies.

Serbian Studies is the inter-disciplinary peer-reviewed journal of the North American Society for Serbian Studies, published biannually in the United States by Slavica Publishers. The journal is distributed to over one hundred eighty libraries in North America and abroad, and to the members of the Society. Current and previous issues are available from the publisher. The journal is in the process of digitalization.

In circulation since 1980, the journal invites scholarly articles on subjects pertaining to Serbian culture and society past and present, and across fields and disciplines. The journal also welcomes archival documents, source materials, and book reviews. Contributors to Serbian Studies include scholars affiliated with a broad range of institutions around the world, as well as those engaged in independent scholarship.

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People Directory

Stana Katic

Stana Katic (born April 26, 1978) is a Canadian film and television actress. She is best known for her portrayal of Detective Kate Beckett on the popular ABC series Castle.

Katic was born in Hamilton, Ontario, Canada, to Serbian parents named Peter and Rada Katić. In describing her ethnicity, she has stated her parents are Serbs. They emigrated from Yugoslavia. Her father is from Vrlika, and her mother is from the surrounding area of Sinj. Katic later moved with her family to Aurora, Illinois. She spent the following years moving back and forth between Canada and the United States.

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0