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- Nikola Tesla

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“Spomenik Majklu Dzeksonu” nagradjen u Santa Barbari

Film “Spomenik Majklu Džeksonu” osvojio je nagradu za najbolji film - Eastern European Film Award, na Internacionalnom festivalu u Santa Barbari koji se ove godine održava 30. put.

Ostvarenje reditelja i scenariste Darka Lungulova prikazano je, kako se navodi u saopštenju, u Programu istočno-evropskih filmova a ovo je ujedno bila i njegova američka premijera.

Lungulovu je nagradu uručio direktor festivala Rodžer Durlings, a zbog izuzetnog interesovanja film je imao dodatnu projekciju tako da je prikazan četiri puta pred punom salom.

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“Spomenik Majklu Džeksonu” će imati još jednu projekciju tokom sledećeg vikenda u okviru programa Pobednici festivala.

Lungulov je primajuči nagradu je rekao da mu je velika čast što je njegov film nagrađen na festivalu koji iskreno slavi filmove i autore i tako uspešno spaja neke od najboljih autora, nezavisne autore, obrazovanu publiku i izvanredan program.

Na festivalu u Santa Barbari specijalni gosti bili su glumci nominovani za Oskara: Majkl Kiton, Itan Hok, Patriša Arket, Stiv Korel, kao i reditelji i scenaristi Ričard Linklejter (Boyhood) i Damien Ćazele (Whiplash) koji su dobili specijalna priznanja.

Izvor: Tanjug

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Sava Vemić

Sava Vemić

Sava Vemić (born 1987), bass, comes from Belgrade, Serbia. He is a member of The Metropolitan Opera’s Lindemann Young Artist Development Program in the season 2014/2015.

He studied singing in the Music School Mokranjac with prof. Tanja Obrenović and later at the Faculty of Music, University of Arts in Belgrade with prof. Nikola Mijailović. In Mozart’s Magic flute he made his debut as Sarastro at the opera stage of Madlenianum Opera & Theatre in Belgrade. He received scholarships from the International Vocal Arts Institute (IVAI) in 2013 when he sang Bartolo in an IVAI production of Le nozze di Figaro and in July 2014 when he sang Osmin in their production of Die Entführung aus dem Serial in Tel Aviv, Israel. In June 2014 he made his Carnegie Hall debut as Sir Walter Raleigh in Donizetti’s opera Roberto Devereux with The Opera Orchestra of New York led by Mo. Queler. In 2012 he performed at the Esterhazy festival in Haydnsaal, Austria.

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On Divine Philanthropy

On Divine Philanthropy

From Plato to John Chrysostom

by Bishop Danilo Krstic

This book describes the use of the notion of divine philanthropy from its first appearance in Aeschylos and Plato to the highly polyvalent use of it by John Chrysostom. Each page is marked by meticulous scholarship and great insight, lucidity of thought and expression. Bishop Danilo’s principal methodology in examining Chrysostom is a philological analysis of his works in order to grasp all the semantic shades of the concept of philanthropia throughout his vast literary output. The author overviews the observable development of the concept of philanthropia in a research that encompasses nearly seven centuries of literary sources. Peculiar theological connotations are studied in the uses of divine philanthropia both in the classical development from Aeschylos via Plutarch down to Libanius, Themistius of Byzantium and the Emperor Julian, as well as in the biblical development, especially from Philo and the New Testament through Origen and the Cappadocians to Chrysostom.

With this book, the author invites us to re-read Chrysostom’s golden pages on the ineffable philanthropy of God. "There is a modern ring in Chrysostom’s attempt to prove that we are loved—no matter who and where we are—and even infinitely loved, since our Friend and Lover is the infinite Triune God."

The victory of Chrysostom’s use of philanthropia meant the affirmation of ecclesial culture even at the level of Graeco-Roman culture. May we witness the same reality today in the modern techno-scientific world in which we live.

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