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While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
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Zivkovic Wins Grawemeyer Music Prize

“On the Guarding of the Heart,” a piece for chamber orchestra by Serbian-born composer Djuro Zivkovic (joo-ROH’ zhiv-KOH’-veetz), has won the 2014 University of Louisville Grawemeyer Award for Music Composition.

The 20-minute work “makes a huge emotional journey in a relatively short period of time, moving through many landscapes between the mysterious, moody opening and the ecstatic conclusion,” said award director Marc Satterwhite.

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“The composer also makes wonderful use of the colors of the 14-piece ensemble. The instruments are used in fascinating ways, both traditional and otherwise … that shape the sound of unnatural, echoing beauty,” he said.

Zivkovic, 38, describes the piece as an “instrumental cantata” inspired by the religious music of Bach. Its main theme is the need to return to oneself.

“It is about hard-achieved detachment, stillness and watchfulness, it’s about solitude and exile,” the composer said.

Born in Belgrade in 1975, Zivkovic has lived in Stockholm, Sweden, since 2000. He is active as a violinist and violist—with a special interest in improvisation—and teaches at the Royal College of Music in Stockholm.

Austrian ensemble Klangforum Wien gave the first performance of “On the Guarding of the Heart” in November 2011 in Belgrade. The piece also has been performed in Vienna and Bergen.

Zivkovic’s music has been commissioned, performed, recorded and broadcast across Europe and North America by ensembles such as Sonanza, Klangforum Wien, Trio Fibonacci, Musica Vitae Chamber Orchestra, BIT20 and Stockholm Symphonic Wind Orchestra and people such as conductors Emilio Pomarico and Baldur Brönnimann and Swedish contralto Anna Larsson.

He received a Swedish Grammy Award 2010 (Grammis) with Sonanza for his piece “Le Cimetière Marin” for mezzo-soprano and ensemble.

Influenced at an early age by folklore and Byzantine music, he has developed a wide range of composing techniques such as polyrhythms, improvisation, harmony-based scales and microtones. Over the past decade, he has become particularly interested in harmonic organization, an area he has identified as crucial in modern compositions.

UofL presents four Grawemeyer Awards each year for outstanding works in music composition, world order, psychology and education. The university and Louisville Presbyterian Theological Seminary jointly give a fifth award in religion. This year’s awards are $100,000 each.

For more details on the awards or to download Zivkovic’s photo, see grawemeyer.org

From University of Louisville


SA

 

People Directory

Marko Jarić

Marko Jarić (Serbian Cyrillic: Марко Јарић; born October 12, 1978 in Belgrade, SR Serbia, SFR Yugoslavia) is a Serbian professional basketball player.

Jarić is the only player ever to win back-to-back Italian Championships on two different teams. He won it in 2000 with Fortitudo Bologna and in 2001 with Virtus Bologna.

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Publishing

Notes On Ecumenism

Written in 1972 by St. Abba Justin Popovich, edited by Bishop Athanasius Yevtich, translated from Serbian by Aleksandra Stojanovich, and proofread by Fr Miroljub Ruzich

Abba Justin’s manuscript legacy (on which Bishop Athanasius have been working for a couple of years preparing an edition of The Complete Works ), also includes a parcel of sheets/small sheets of paper (in the 1/4 A4 size) with the notes on Ecumenism (written in pencil and dating from the period when he was working on his book “The Orthodox Church and Ecumenism”; there are also references to the writings of St. Bishop Nikolai [Velimirovich], short excerpts copied from his Sermons, some of which were quoted in the book).

The editor presents the Notes authentically, as he has found them in the manuscripts (his words inserted in the text, as clarification, are put between the slashes /…/; all the footnotes are ours).—In the appendix are present the facsimiles of the majority of Abba’s Notes which were supposed to be included in his book On Ecumenism (written in haste then, but now significantly supplemented with these Notes. The Notes make evident the full extent of Justin’s profundity as a theologian and ecclesiologist of the authentic Orthodoxy).—The real Justin is present in these Notes: by his original language, style, literature, polemics, philosophy, theology, and above all by his confession of the God-man Christ and His Church. He confesses his faith, tradition, experience and his perspective on man, on the world and on Europe—invariably in the Church and from the Church, in the God-man Christ and from Him, just as he did in all of his writings and in his entire life and theologizing.