A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

The Christian Heritage of Kosovo and Metohija was presented in Paris

The book on Christian Heritage of Kosovo and Metohija was presented in Paris on Monday, June 29, 2015, at 19h at l'Auditorium Jean XXIII de la Mutuelle Saint-Christophe, 277 rue Saint-Jacques.

Bishop Maxim of the Western American Diocese spoke about the theological and historical significance of the book. Raphaëlle Ziadé, a specialist of the byzantine art, from Réunion des Musées nationaux, explained some of the most prominent aspects of the Serbia's medieval visual art in Kosovo and Metohija. She emphasized particulary the a new humanism which characterizes these works, and it was this style that served as a basis for what Gabriel Millet termed “the Byzantine Renaissance.” Jean-François Colosimo, director of Editions du Cerf offered a wider perspective on the position of Christians in the Middle East.

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The artistic and religious musings on Kosovo's medieval art are compelling, yet, as in Colosimo equally remarked, they also posess an academic value and critical sharpness of description. Jacques Hogard, colonel and former commander of the special forces in Kosovo gave a sober and eye-opening assessment of his experience and the fiasco of NATO mission in Kosovo and Metohija and the true nature of the Western involvement in Serbia's southern province. Jean-Christophe Buisson, chief of the cultural redaction of Figaro Magazine emphasized that this book is one of the most extraordinary documents of the history of the Serbian destiny in Kosovo. He also quited from the book of Hieromoin Athanase, “Dossier Kosovo”. Dr. Ljubomir Mihailovic, moderator of the event, explicitly invoked the notion of a universal prominence of Serbia’s heritage in Kosovo and Metohija. 

There are some claims that this monograph represents a monumental step forward in illuminating the Christian heritage of Kosovo and it will have profound impact on our understanding of the future of Europe. The publication should infiltrate into culture and revivify among intellectuals a feeling for the aesthetic heart of the Serbian people in Kosovo and Metohija.

The event was organized by the Serbian Western Diocese for Europe in cooperation with Mutuelle d’Assurance Saint Christophe et Orthodoxie.com.


SA

 

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Sava Vemić

Sava Vemić
Sava Vemić (born 1987), bass, comes from Belgrade, Serbia. He is a member of The Metropolitan Opera’s Lindemann Young Artist Development Program in the season 2014/2015.

He studied singing in the Music School Mokranjac with prof. Tanja Obrenović and later at the Faculty of Music, University of Arts in Belgrade with prof. Nikola Mijailović. In Mozart’s Magic flute he made his debut as Sarastro at the opera stage of Madlenianum Opera & Theatre in Belgrade. He received scholarships from the International Vocal Arts Institute (IVAI) in 2013 when he sang Bartolo in an IVAI production of Le nozze di Figaro and in July 2014 when he sang Osmin in their production of Die Entführung aus dem Serial in Tel Aviv, Israel. In June 2014 he made his Carnegie Hall debut as Sir Walter Raleigh in Donizetti’s opera Roberto Devereux with The Opera Orchestra of New York led by Mo. Queler. In 2012 he performed at the Esterhazy festival in Haydnsaal, Austria.

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Publishing

On Divine Philanthropy

On Divine Philanthropy
From Plato to John Chrysostom

by Bishop Danilo Krstic

This book describes the use of the notion of divine philanthropy from its first appearance in Aeschylos and Plato to the highly polyvalent use of it by John Chrysostom. Each page is marked by meticulous scholarship and great insight, lucidity of thought and expression. Bishop Danilo’s principal methodology in examining Chrysostom is a philological analysis of his works in order to grasp all the semantic shades of the concept of philanthropia throughout his vast literary output. The author overviews the observable development of the concept of philanthropia in a research that encompasses nearly seven centuries of literary sources. Peculiar theological connotations are studied in the uses of divine philanthropia both in the classical development from Aeschylos via Plutarch down to Libanius, Themistius of Byzantium and the Emperor Julian, as well as in the biblical development, especially from Philo and the New Testament through Origen and the Cappadocians to Chrysostom.

With this book, the author invites us to re-read Chrysostom’s golden pages on the ineffable philanthropy of God. "There is a modern ring in Chrysostom’s attempt to prove that we are loved—no matter who and where we are—and even infinitely loved, since our Friend and Lover is the infinite Triune God."

The victory of Chrysostom’s use of philanthropia meant the affirmation of ecclesial culture even at the level of Graeco-Roman culture. May we witness the same reality today in the modern techno-scientific world in which we live.

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