A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Tatjana Aleksic

Tatjana Aleksic received her Ph.D. in Comparative Literature from Rutgers University in 2007 and has been teaching at the University of Michigan since 2007. She is the editor of Mythistory and Narratives of the Nation in the Balkans (2007). Additional publications include articles on nationalism, gender, language, and myth and translations into Serbian of short fiction, haiku, and medical textbooks.  She is the recipient of research awards from the University of Michigan (2008), Serbian Ministry for the Diaspora (2008), and a Rutgers University Dean’s fellowship (2002-2004).

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She is active in National Association for Slavic Studies, the American Comparative Literature Association, and the Association for Slavic, East European, and Eurasian Studies. Ongoing projects include a book manuscript on sacrifice, the body, and the nation.  Teaching interests in Comparative Literature include undergraduate courses on twentieth-century culture and history, women and myth, and graduate seminars on nationalism, and poststructuralist theory.

Languages:

  • Serbo-Croatian (Bosnian, Croatian, Serbian, native), working knowledge of French, Italian, Latin, Modern Greek.

Affiliation(s):

  • Comparative Literature, CREES, Slavic Languages & Literatures

Fields of Study:

  • Literary Theory
  • Postmodern Fiction
  • Contemporary Balkan literature, with an emphasis on Serbian and Modern Greek fiction
  • Balkan Film
  • Myth, History, and Memory
  • Nationalism
  • Postcolonialism
  • Exile
  • Issues of Identity
  • Gender Issues
  • Music

Select Publications:

  • Mythistory and Narratives of the Nation in the Balkans, ed. Tatjana Aleksic (Cambridge Scholars Publishing, 2007)
  • “Making Patriarchal History Women’s Own: Eugenia Fakinou’s The Seventh Garment.” Forthcoming in Sanja Bahun-Radunovic and Julie Rajan, eds., Myth and Violence in Contemporary Female Text: New Cassandras, Surrey, UK: Ashgate, 2010.
  • “Southeast European Novel,” Blackwell Encyclopedia of the Novel,  ed. Peter Logan, 2010.
  • “National Definition through Postmodern Fragmentation: Milorad Pavic's Dictionary of the Khazars,” Slavic and East European Journal (SEEJ) 53:1 (Spring 2009): 86-104.
  • “The Emerging Subject of Rhea Galanaki’s Ismail Ferik Pasha,” Journal of Modern Greek Studies 27:1 (May 2009): 31-54.
  • “Grief Can only Be Written in One’s Mother Tongue.” Literature of Exile, ed. Agnieszka Gutty (New York, Berlin: Peter Lang Publishing, 2009) 155-175.
  • “Disintegrating Narratives and Nostalgia in Post-Yugoslav Postmodern Fiction.” Balkan Literatures in the Era of Nationalism, Murat Belge, Jale Parla, eds. Istanbul, Turkey: Bilgi University Press, 2009, 3-14.
  • “Extricating the Self from History: Bait by David Albahari.” MMLA Journal 39:2 (Fall 2006): 54-70.
  • Review of Lorraine Mortimer, Terror and Joy: The Films of Dušan Makavejev in The Slavic Review (Summer, 2010).
  • Review of Danilo Kiš, Mansarda, tr. John Cox in World Literature Today (March/April 2009): 68-9.
  • Review of Dubravka Ugrešic, Lend Me Your Character, tr. Celia Hawkesworth and Michael Henry Heim in Balkanistica 20, (Spring 2007): 185-187.

Education:

  • 2002 MA in English Literature and Theory, University Of Nis, Serbia
  • 2007 Ph.D. in Comparative Literature, Rutgers University

Book:

  • (2013) The Sacrificed Body

From: Slavic Languages & Literatures


SA

 

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Katarina Miljković

Composer Katarina Miljkovic investigates interaction between science, music and nature through collaborative musical performance. This interest led her to the mathematician Benoit Mandelbrot's essay The Fractal Geometry of Nature and self-similar complex structures resulting in the cycle, Forest, “…a dreamy piece, along the lines of Feldman or Brown, entirely captivating (Signal to Noise). Her generative music has been described as a refined, hypnotic dream (Danas) a work of musical and visual slow-motion with only a few delicately elaborated musical metaphors (Radio Belgrade), "ambient tone poem... that moved hypnotically through the sonic frame" (Lucid Culture).

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Publishing

The One and the Many

Studies of God, Man, the Church, and the World today

by Metropolitan John D. Zizioulas

This volume offers a collection of Zizioulas articles which have appeared mostly in English, and which present his trinianatarian doctrine of God, as well as his theological account of the Church as the place in which freedom and communion are actualized. The title, The One and the Many, suggests the idea of a profound relationship that exists between the Persons in the Holy Trinity, between Christ and the Church, between one Catholic Church and many catholic Churches. On each of these levels of communion, each one is called to receive from one another and indeed to receive one another. And while this is understandable at the Triadological and Christological levels, it raises all sorts of fundamental ecclesiological questions, since the highest point of unity in this context is both the mutual ecclesial-eucharistic recognition and agreement on doctrine and canonical-eccelesiological organization.

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