A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Tatjana Aleksic

Tatjana Aleksic received her Ph.D. in Comparative Literature from Rutgers University in 2007 and has been teaching at the University of Michigan since 2007. She is the editor of Mythistory and Narratives of the Nation in the Balkans (2007). Additional publications include articles on nationalism, gender, language, and myth and translations into Serbian of short fiction, haiku, and medical textbooks.  She is the recipient of research awards from the University of Michigan (2008), Serbian Ministry for the Diaspora (2008), and a Rutgers University Dean’s fellowship (2002-2004).

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She is active in National Association for Slavic Studies, the American Comparative Literature Association, and the Association for Slavic, East European, and Eurasian Studies. Ongoing projects include a book manuscript on sacrifice, the body, and the nation.  Teaching interests in Comparative Literature include undergraduate courses on twentieth-century culture and history, women and myth, and graduate seminars on nationalism, and poststructuralist theory.

Languages:

  • Serbo-Croatian (Bosnian, Croatian, Serbian, native), working knowledge of French, Italian, Latin, Modern Greek.

Affiliation(s):

  • Comparative Literature, CREES, Slavic Languages & Literatures

Fields of Study:

  • Literary Theory
  • Postmodern Fiction
  • Contemporary Balkan literature, with an emphasis on Serbian and Modern Greek fiction
  • Balkan Film
  • Myth, History, and Memory
  • Nationalism
  • Postcolonialism
  • Exile
  • Issues of Identity
  • Gender Issues
  • Music

Select Publications:

  • Mythistory and Narratives of the Nation in the Balkans, ed. Tatjana Aleksic (Cambridge Scholars Publishing, 2007)
  • “Making Patriarchal History Women’s Own: Eugenia Fakinou’s The Seventh Garment.” Forthcoming in Sanja Bahun-Radunovic and Julie Rajan, eds., Myth and Violence in Contemporary Female Text: New Cassandras, Surrey, UK: Ashgate, 2010.
  • “Southeast European Novel,” Blackwell Encyclopedia of the Novel,  ed. Peter Logan, 2010.
  • “National Definition through Postmodern Fragmentation: Milorad Pavic's Dictionary of the Khazars,” Slavic and East European Journal (SEEJ) 53:1 (Spring 2009): 86-104.
  • “The Emerging Subject of Rhea Galanaki’s Ismail Ferik Pasha,” Journal of Modern Greek Studies 27:1 (May 2009): 31-54.
  • “Grief Can only Be Written in One’s Mother Tongue.” Literature of Exile, ed. Agnieszka Gutty (New York, Berlin: Peter Lang Publishing, 2009) 155-175.
  • “Disintegrating Narratives and Nostalgia in Post-Yugoslav Postmodern Fiction.” Balkan Literatures in the Era of Nationalism, Murat Belge, Jale Parla, eds. Istanbul, Turkey: Bilgi University Press, 2009, 3-14.
  • “Extricating the Self from History: Bait by David Albahari.” MMLA Journal 39:2 (Fall 2006): 54-70.
  • Review of Lorraine Mortimer, Terror and Joy: The Films of Dušan Makavejev in The Slavic Review (Summer, 2010).
  • Review of Danilo Kiš, Mansarda, tr. John Cox in World Literature Today (March/April 2009): 68-9.
  • Review of Dubravka Ugrešic, Lend Me Your Character, tr. Celia Hawkesworth and Michael Henry Heim in Balkanistica 20, (Spring 2007): 185-187.

Education:

  • 2002 MA in English Literature and Theory, University Of Nis, Serbia
  • 2007 Ph.D. in Comparative Literature, Rutgers University

Book:

  • (2013) The Sacrificed Body

From: Slavic Languages & Literatures


SA

 

People Directory

Milena Kitić

A star of the Belgrade, Yugoslavia Opera, Milena Kitic made her operatic debut in 1989, as Olga in Tchaikovsky's "Eugene Onegin." She performed at the National Theater in Belgrade for 8 years in a wide range of roles: from Rosina in Rossini's "Il Baribiere di Siviglia", Cherubino in Mozart's "Le Nozze di Figaro", Preziosilla in Verdi's "La Forza del destino", Fenena in "Nabucco'', to the title role of Carmen and Principessa de Buillon in Cilea's "Adiana Lecouvreur."

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Publishing

The Christian Heritage of Kosovo and Metohija

THE HISTORICAL AND SPIRITUAL HEARTLAND OF THE SERBIAN PEOPLE

Published by: Sebastian Press, Los Angeles. Co-publishers: Institute for Balkan Studies, Serbian Academy of Sciences and Arts, Belgrade • The Episcopal Council of the Serbian Orthodox Church in North and South America • Faculty of Orthodox Theology, University of Belgrade • BLAGO Fund • Serbica Americana • Interklima-grafika, Vrnjci

“This book on Serbia’s Christian Heritage in Kosovo and Metohija, its heartland in medieval times and through Ottoman domination, is intended to introduce to a wide reading public the oldest and richest treasury of Serbian medieval history and culture. Its authors are leading specialists in the fields in which they write, so readers may place complete reliance on the factual accuracy of the material.”

“The editor and publisher have the fervent hope that today’s peoples in Kosovo and Metohija will be able to begin their discussions not from what divides them but from what unites them, emphasizing in positive and constructive ways the areas in which a Serbo-Albanian ethnic symbiosis has existed. This book invites all to consider their differences in the light of history and of the future.”

Authors: Gojko Subotić • Alex Dragnich • Slavko Todorovich • Thomas A. Emmert • Sima M. Ćirković • Arthur Evans • G. K. Chesterton • Boško Bojović • Atanasije Jevtić • Alexander F. Hilferding • Rebecca West • Rebecca West • Stamatis Skliris • Dušan T. Bataković • Radovan Samardžić • Dimitrije Djordjević • Dimitrije Bogdanović • Sava Janjić • Andrew Wermuth • F. W. Harvey and others

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