A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Aleksandra Vrebalov

Aleksandra Vrebalov (born September 22, 1970 in Novi Sad, Yugoslavia) is a Serbian composer based in New York City. She studied composition with Miroslav Statkic at Novi Sad University, then with Zoran Erić at Belgrade University, Elinor Armer at the San Francisco Conservatory of Music, and Ivana Loudova at the Prague Academy of Music. She obtained her Doctor of Musical Arts degree from the University of Michigan where she studied with Evan Chambers and Michael Daugherty.

.

A highly regarded musician, she has had residences at the Rockefeller Foundation Bellagio Center, Tanglewood, New York's New Dramatists, MacDowell Colony, and American Opera Projects among others. She has received Awards or Fellowships from the American Academy of Arts and Letters Charles Ives Fellowship, Meet the Composer, Highsmith Composition Competition, Vienna Modern Masters, Serbian Fond for an Open Society, ASCAP Awards, and Douglas Moore Fellowship.

Her early string quartet Pannonia Boundless, evoking eastern European sonorities, has been recorded by the Kronos Quartet on their album Kronos Caravan (1999) and published by Boosey and Hawkes (2007). The Kronos Quartet, with clarinetist David Krakauer, premiered her 40-minute "Babylon, Our Own," commissioned for the 10th anniversary season of the Clarice Smith Performing Arts Center at the University of Maryland in College Park, Maryland, in September 2011.

In her more developed orchestral work Orbits (2002), Vrebalov uses overlapping densities of sonorities and rhythmic proportions such as the Fibonacci series to portray her idiosyncratic post-modern conception of musica universalis.

Her music for the ballet The Widow's Broom (2004) based on Chris Van Allsburg's book has been performed on Halloween by the Festival Ballet Providence.

She has received commissions from Kronos Quartet, Carnegie Hall (co-commission), Barlow Endowment, Festival Ballet Providence, Merkin Concert Hall Zoom Series. Vrebalov is also a co-founder of South Oxford Six, a composers' collective in New York.

In October 2011 her 2-act opera "Mileva," on a libretto by Vida Ognjenović based on her play, was premiered at the Serbian National Theater in Novi Sad, with a repeat performance at the Sava Center in Belgrade as part of the Belgrade Music Festival (BEMUS). The opera was commissioned to mark the 150th anniversary of the Serbian National Theater. The scenario centers on the character of Mileva Marić, the Serbian physicist and mathematician who was Albert Einstein's first wife.

Wikipedia

ПОЛИТИКА ONLINE: Опера о Милеви Ајнштајн


SA

 

People Directory

George Vid Tomashevich

Prof. George Vid Tomashevich, Ph.D. Mar. 3, 1927 - Dec. 3, 2009. Dr. Tomashevich was of Serbian origin, born in the city of Bocin in what was then Yugoslavia. He came to the United States after World World II. He received his bachelor's degree in sociology from Roosevelt University and his master's and doctoral degrees in anthropology from the University of Chicago. He came to Buffalo in 1968 to teach anthropology at Buffalo State College and retired in 1995. A scholar of universal erudition, Professor Emeritus of Anthropology at State University of New York, College at Buffalo.

. Read more ...

Publishing

Emmanuel

The Only Begotten and Firstborn among Many Brethren

by Bishop Athanasius Yevtich

In Emmanuel, the second anthology of Bishop Athanasius' articles to appear in English, His Grace explores themes of Orthodox Christology, Soteriology, Ecclesiology, and Gnoseology. How can we know Who God is? How can we know who we are, as human persons created in His image and likeness? How can we become one with Him? Bishop Athanasius examines these and other foundational questions in depth in this volume, drawing from a wealth of Scriptural and patristic sources. In discussing diverse theological subjects, he always returns to his overarching theme: the communion that man can have with God through Jesus Christ the God-man, within Christ's Church and above all in the Holy Eucharist. His exquisite and unique way of engaging the reader in mutual dialogue, with the living Eucharistic experience permeating his every thought, instills in the reader a burning desire for that communion.

Soft-bound
Contemporary Christian Thought Series, No. 3 - First Edition
229 pages
ISBN 978-0-9719505-4-2