A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Mele "Mel" Vojvodich

Mele Vojvodich Jr. was born of Serbian ancestry on March 28, 1929 in Steubenville, Ohio. He went on to become Major-General in the USAF. For his bravery he was awarded the Legion of Merit.

Looking back at the career, Vojvodich received his pilot wings in 1950 from Nellis Air Force Base in Nevada. Six years later, he graduated from Squadron Officer School at Maxwell Air Force Base in Alabama. During 1971, he completed his studies at National War College Fort Lesley J. McNair in Washington DC.

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Vojvodich served as an F-84 pilot and aircraft commander in the early 1950's at Turner Air Force Base in Georgia. He then saw action in South Korea, flying F-80's and F-86's. He also made a 300 mile surveillance flight into China searching for, and ultimately finding, secret Soviet-made bombers.

In all, Vojvodich flew 125 combat missions. He is also one of only five initial pilots who flew the CIA's spy plane (A-12) in North Vietnam. His time spent in the air was a total of 6,000 flying hours. On May 1, 1980, Vojvodich was promoted to Major-General.

Some of his worthy military awards also include the Distinguished Service Medal, Distinguished Service Cross, Distinguished Flying Cross and the Intelligence Star for Valor presented by the CIA. He retired in March of 1983. Maj-Gen Vojvodich passed away on November 3rd, 2003 at his home in Schertz, Texas after suffering from leukemia.


SA

 

People Directory

Tom Jurich

By Sandi Radoja

[This article originally appeared in the American Srbobran, April 5, 2017]

LOUISVILLE, KY – On an unseasonably hot February day, Tom Jurich welcomed us to his third floor office on the campus of the University of Louisville. We were 2-1/2 hours early, but his door swung open wide despite our inability to jump time zones correctly.

Born and raised in Southern California, Tom Jurich of SNF Lodge #95-Lovcen-Los Angeles, was apologetic for the heat as if it was his fault. “We don’t turn the air conditioning on this early,” he said, an explanation we already heard from his receptionist who called her desktop fan her “new BFF.” We were immediately at ease, and the friendliness of the entire office far outweighed the heat.

It was Mercia Martich of Northridge, California, who sent us in the direction of the Tom Jurich story initially. She said he was a SNF member and someone to hoot about, adding, “He is not only successful, but a fine gentleman and a family man, too.”

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0