A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Allex Mandusich

Andjelko "Big Jake Alex" Mandusich is a recipient of the Congressional Medal of Honor, and was one of the greatest Serbian-American heroes of World War I.

He was born on July 13th, 1887 at Sar Planina, Serbia. In 1905, at the age of 18, he immigrated to America.

When the US entered World War I, Mandusich immediately enrolled himself in the Army. During the battle in Amiens region in France in August of 1918, Jake, now a corporal, advanced his men at Chipilly Ridge; there were many casualties and in the heat of the battle Alex realized that all officers had been hit and that he was now the leader of his platoon. His men were pinned down by machine gunfire from a German nest thirty yards away. Under intense fire Manudsich made his way to the nest alone; he pulled out his bayonet and attacked.. He killed five Germans outright but then his bayonet snapped. He used the barrel of his bayonet as a club and subdued fifteen more enemy soldiers. When the rest of the platoon arrived Alex was immediately recognized as a hero and nicknamed "Big Jake". For his amazing bravery Big Jake was awarded the highest distinction given to a United States soldier, the Congressional Medal of Honor.

He also received numerous medals from different countries: U.S. Distinguished Service Cross/Victory Medal with Four Bars, France's Medaille Militaire and Croise de Guerre with Palms, Yugoslav's Gold Karageorge Star with Cross Sabers, Great Britain Distinguished Conduct Medal, Italy' Merito Guerre, and others.

Following the end of the War and his discharge from the U.S. Army, Big Jake returned to Yugoslavia and spent several years in King Alexander's Royal Guard.



SA

 

People Directory

Tom Jurich

By Sandi Radoja

[This article originally appeared in the American Srbobran, April 5, 2017]

LOUISVILLE, KY – On an unseasonably hot February day, Tom Jurich welcomed us to his third floor office on the campus of the University of Louisville. We were 2-1/2 hours early, but his door swung open wide despite our inability to jump time zones correctly.

Born and raised in Southern California, Tom Jurich of SNF Lodge #95-Lovcen-Los Angeles, was apologetic for the heat as if it was his fault. “We don’t turn the air conditioning on this early,” he said, an explanation we already heard from his receptionist who called her desktop fan her “new BFF.” We were immediately at ease, and the friendliness of the entire office far outweighed the heat.

It was Mercia Martich of Northridge, California, who sent us in the direction of the Tom Jurich story initially. She said he was a SNF member and someone to hoot about, adding, “He is not only successful, but a fine gentleman and a family man, too.”

Read more ...

Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0