A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Helen Delich Bentley

United States Congresswoman

Helen Delich Bentley was born on November 28, 1923. She was an American politician and a former Republican U.S. House Representative from the second district of her adopted home state of Maryland.

She was born in the tiny town of Ruth, White Pine County, Nevada, and attended the University of Nevada and George Washington University. She earned a BA from University of Missouri in 1944. She was a maritime reporter and editor of the Baltimore Sun and served on the Federal Maritime Commission from 1969 to 1975.

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She was an unsuccessful candidate for election to the Ninety-seventh in 1980 and Ninety-eighth Congresses in 1982. She was elected as a Republican to the Ninetyninth Congress in 1984, and to the four succeeding Congresses, serving in Congress from January 3, 1985 to January 3, 1995. During her time in office, she was strong advocate for protectionist trade policies in support of U.S. manufacturing and the U.S. Merchant Marine fleet. Of Serbian origin, she was known to be sympathetic towards Serbians during the civil war in Yugoslavia in the 1990s, and opposed U.S. military involvement in that conflict.

She was not a candidate for reelection to the One Hundred Fourth Congress in 1994, but was an unsuccessful candidate for nomination for Governor of Maryland. She was an unsuccessful candidate for election to the One Hundred Eighth Congress in 2002, losing to then-Baltimore County Executive C.A. Dutch Ruppersberger.

Before and since that time she has been an active businesswoman and lobbyist as the President and CEO of Helen Delich Bentley & Associates, Inc., and also as an International Trade, Business and Government Consultant. She also is/was a consultant for the Maryland Port Administration, Port of Baltimore.


SA

 

People Directory

Bishop Mitrofan (Kodić)

(1987–2016; 2016–)

Bishop Mitrofan Kodić, nee Radovan, was born on 4 August, 1951, in the village Ljuša, Šipovo, Bosnia, Yugoslavia. Radovan completed his elementary studies in 1966. He went to study further at the seminary in the Krka monastery in Croatia, Yugoslavia. At the same time, he entered the brotherhood of the monastery. In 1970, Radovan was tonsured to be a monk, and he was given the name Mitrofan on the eve of the Feast of the Entrance of the Most Holy Mother of God into the Temple (3 December/20 November). He was ordained to the Holy Diaconate by Bishop Stefan (Boca) of Žiča. In 1971, the Hierodeacon Mitrofan (Kodić) graduated from the seminary of the Krka Monastery, while on 6 January, 1974, he was ordained to the holy priesthood in the monastery by Bishop Stefan (Boca).

In 1975, the Hieromonk Mitrofan entered the Faculty of Theology in Bucharest, Romania. He completed his studies, and he graduated in 1977. He then returned to the Krka monastery. There, he was assigned to be a “trainee” (supplent) in the Seminary of the Three Holy Hierarchs in the Krka Monastery. In 1987, the Hieromonk Mitrofan was assigned to serve as the rector of the seminary.

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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0