A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Fionn Zarubica

Fionn Zarubica

Fionn Zarubica, a native of Los Angeles, California, attended the University of California, Santa Barbara as well as the University of California, Los Angeles. On the theatrical side Fionn has worked for over twenty years as a costume designer, designing costumes for theater, film, ballet, opera and television in the United States, Canada and Europe. On the museum side, she has worked at the Autry National Center, on the Southwest Museum of the American Indian Preservation Project, and in January of 2006 joined the department of Costume and Textiles of the Los Angeles County Museum of Art (LACMA), where she was responsible for the management and care of the museum's renowned and comprehensive costume and textile collections, and oversaw ongoing rotations of the permanent collection throughout the museum.

She contributed her skills for several exhibitions at LACMA including California Design, 1930-1965: Living in a Modern Way (2011); Fashioning Fashion: European Dress in Detail, 1700-1915 (2010); From the Spoon to the City: Design by Architects from LACMA’s Collection (2009); Art of Two Germanys/Cold War Cultures (2009) and Breaking the Mode: Contemporary Fashion from the Permanent Collection (2006) as well as the critically acclaimed Los Angeles Goes Live: Performance Art in Southern California 1970-1983 (LACE 2011) part of the Getty’s Pacific Standard Time exhibition series. In addition to serving as Managing Partner of Fionn Zarubica & Associates, Director of the Fionn Zarubica Foundation For Art And Culture in Serbia and Director of Fionn Zarubica Learn, Fionn is directing the Collections Management Certification Program in Serbia and is an instructor at the Costume and Textiles Collections Management Certificate Program at California State University Long Beach, The College of Continuing and Professional Education.

Source: Official Web Site

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Andrei Simic

Andrei Simic

Education:

Ph.D. Social Anthropology, University of California, Berkeley, 1970

Academic Employment:

Professor of Anthropology, University of Southern California, 1991

Description of Research:
Summary Statement of Research Interests

Professor Simic studies the ethnography of Europe, with a focus on the Balkans and Eastern Europe. His research centers on ethnicity, nationalism, and post-Communist society with particular emphasis on former Yugoslavia. His other specialties include the study of American ethnic groups, cross-cultural gerontology, and visual anthropology.

Research Keywords

Balkans and Eastern Europe, Ethnicity, Nationalism, Post-Communist Society, Cross-cultural Gerontology, Visual Anthropology

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Publishing

Sailors of the Sky

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0

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