A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Ruth Stanley Farnam

Ruth Stanley Farnam (September 11, 1873 — December 7, 1956) was an American nurse, soldier and writer. She is the only American woman known to have served as a soldier in the Serbian army during World War I.

Family

Ruth Stanley Farnam was born at Patchogue, New York, the daughter of William Henry Stanley and Ida Jay Overton Stanley. She married Charles Henry Farnam and later, Baron Raymond de Loze.

War work

She originally served as a volunteer nurse in a medical unit attached to the Serbian army. She was present during the Battle of Brod and, when a soldier asked if she was afraid, answered: "Do you think I am scared? I have never lived before". After this, she was allowed to enlist in the Serbian army as a volunteer soldier.

In 1918, she published her autobiography, A Nation at Bay: What an American Woman Saw and Did in Suffering Serbia. She died in 1956, aged 83 years.

From: Wikipedia

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Simonida Perica Uth

Simonida Perica Uth comes from a long line of artists, graduating with a BA from the School for Industrial Design, Graphic Department and University of Fine Arts in Belgrade with MA in Byzantine Monumental Art.

After moving to the US she designed and executed large events including the Annual Bastille Day Celebrations at the French Embassy in D.C. She was a mosaic artist at St. Sophia Cathedral, Washington, DC., serving as the last apprentice to the Master Mosaicist Dimitry Dukas.

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Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0

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